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SAT SAT-Critical-Reading Exam Syllabus Topics:

SAT Section One : Critical Reading Sample Questions:

1. He was a un-common small man, he really was. Certainly not so small as he was made out to be, but
where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and
what he had inside that Ed, nobody ever knowed but himself: even suppose in himself to have ever took
stock of it, which it would have been a stiff job for even him to do.
The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby
though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial,
he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He DID allow himself
to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and
when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his
actions.
He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a
large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the
Curiosities they are.
One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been
there. It was always his opinion that he was entitled to property. He never would put his name to anything.
He had been taught to write, by the young man without arms, who got his living with his toes (quite a
writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd
have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind,
because HE had no property, nor hope of property, except his house and a sarser. When I say his house,
I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a
diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public
believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he
made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies
and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain."
When he said anything important, in private life, he mostly wound it up with this form of words, and they
was generally the last thing he said to me at night afore he went to bed.
He had what I consider a fine mind--a poetic mind. His ideas respectin his property never come upon him
so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run
through him a little time, he would screech out, "Toby, I feel my property coming--grind away! I'm counting
my guineas by thousands, Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in
me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind.
Not that he was partial to any other music but a barrel-organ; on the contrary, hated it.
He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many
phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it
kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of
my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a
Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am."
Which selection best interprets "Chops would have starved to death, afore he'd have gained a bit of bread
by putting his hand to a paper" 4th paragraph

A) He would starve before he would accept charity from anyone.
B) He would starve before wrapping paper around food showing distrust in the preparation of same.
C) He would starve before he would agree to anything.
D) He would starve before borrowing money to buy bread.
E) He would starve before signing a performance contract as a phenomenon.

2. But the Dust-Bin was going down then, and your father took but little, excepting from a liquid point of view.
Your mother's object in those visits was of a house-keeping character, and you was set on to whistle your
father out. Sometimes he came out, but generally not. Come or not come, however, all that part of his
existence which was unconnected with open Waitering was kept a close secret, and was acknowledged
by your mother to be a close secret, and you and your mother flitted about the court, close secrets both of
you, and would scarcely have confessed under torture that you know your father, or that your father had
any name than Dick (which wasn't his name, though he was never known by any other), or that he had
kith or kin or chick or child. Perhaps the attraction of this mystery, combined with your father's having a
damp compartment, to himself, behind a leaky cistern, at the Dust Bin, a sort of a cellar compartment, with
a sink in it, and a smell, and a plate-rack, and a bottle-rack, and three windows that didn't match each
other or anything else, and no daylight, caused your young mind to feel convinced that you must grow up
to be a Waiter too; but you did feel convinced of it, and so did all your brothers, down to your sister. Every
one of you felt convinced that you was born to the Waitering.
At this stage of your career, what was your feelings one day when your father came home to your mother
in open broad daylight, of itself an act of Madness on the part of a Waiter, and took to his bed (leastwise,
your mother and family's bed), with the statement that his eyes were devilled kidneys. Physicians being in
vain, your father expired, after repeating at intervals for a day and a night, when gleams of reason and old
business fitfully illuminated his being, "Two and two is five. And three is sixpence." Interred in the
parochial department of the neighbouring churchyard, and accompanied to the grave by as many Waiters
of long standing as could spare the morning time from their soiled glasses (namely, one), your bereaved
form was attired in a white neckankecher [sic], and you was took on from motives of benevolence at The
George and Gridiron, theatrical and supper. Here, supporting nature on what you found in the
plates(which was as it happened, and but too often thoughtlessly, immersed in mustard), and on what you
found in the glasses (which rarely went beyond driblets and lemon), by night you dropped asleep standing,
till you was cuffed awake, and by day was set to polishing every individual article in the coffee-room. Your
couch being sawdust; your counterpane being ashes of cigars. Here, frequently hiding a heavy heart
under the smart tie of your white neck ankecher (or correctly speaking lower down and more to the left),
you picked up the rudiments of knowledge from an extra, by the name of Bishops, and by calling
plate-washer, and gradually elevating your mind with chalk on the back of the corner-box partition, until
such time as you used the inkstand when it was out of hand, attained to manhood, and to be the Waiter
that you find yourself.
I could wish here to offer a few respectful words on behalf of the calling so long the calling of myself and
family, and the public interest in which is but too often very limited. We are not generally understood. No,
we are not. Allowance enough is not made for us. For, say that we ever show a little drooping listlessness
of spirits, or what might be termed indifference or apathy. Put it to yourself what would your own state of
mind be, if you was one of an enormous family every member of which except you was always greedy,
and in a hurry. Put it to yourself that you was regularly replete with animal food at the slack hours of one in
the day and again at nine p.m., and that the repleter [sic] you was, the more voracious all your
fellow-creatures came in. Put it to yourself that it was your business, when your digestion was well on, to
take a personal interest and sympathy in a hundred gentlemen fresh and fresh (say, for the sake of
argument, only a hundred), whose imaginations was given up to grease and fat and gravy and melted
butter, and abandoned to questioning you about cuts of this, and dishes of that, each of 'em going on as if
him and you and the bill of fare was alone in the world.
Overall, what is the author referring when he writes "Perhaps the attraction of this mystery" Starting of 2nd
paragraph?

A) the fact that no one knew that his father was married and apparently weren't allowed to
B) the entire secrecy of the lifestyle of his family notwithstanding the compartment
C) the situation of only visiting his father instead of living together with approval from the wife
D) the idea that no one was to know his father's name
E) the compartment his father kept and lived alone in even though it didn't seem like much

3. The main purpose of this story is to appeal to the reader's interest in a subject which has been the theme
of some of the greatest writers, living and dead--but which has never been, and can never be, exhausted,
because it is a subject eternally interesting to all mankind. Here is one more book that depicts the struggle
of a human creature, under those opposing influences of Good and Evil, which we have all felt, which we
have all known.
It has been my aim to make the character of "Magdalen," which personifies this struggle, a pathetic
character even in its perversity and its error; and I have tried hard to attain this result by the least
obtrusive and the least artificial of all means--by a resolute adherence throughout to the truth as it is in
Nature. This design was no easy one to accomplish; and it has been a great encouragement to me
(during the publication of my story in its periodical form) to know, on the authority of many readers, that
the object which I had proposed to myself, I might, in some degree, consider as an object achieved.
Round the central figure in the narrative other characters will be found grouped, in sharp contrast--
contrast, for the most part, in which I have endeavored to make the element of humor mainly predominant.
I have sought to impart this relief to the more serious passages in the book, not only because I believe
myself to be justified in doing so by the laws of Art--but because experience has taught me (what the
experience of my readers will doubtless confirm) that there is no such moral phenomenon as unmixed
tragedy to be found in the world around us. Look where we may, the dark threads and the light cross each
other perpetually in the texture of human life.
Why does the author believe he is justified in using humor in the work being referenced?

A) just to show that he can master both the serious and humorous aspects of writing and to do so in a
singular work is commendable
B) only because it is his artistic freedom to do so
C) because there are no pure lines between Good and Evil or humor and tragedy
D) because the human characteristics of Magdalen have to show both sides of humanity to be truly
representative and accepted as realistic by the reader
E) because this art must represent life and life is humorous

4. In the year 1860, the reputation of Doctor Wybrow as a London physician reached its highest point. It was
re ported on good authority that he was in receipt of one of the largest incomes derived from the practice
of medicine in modern times.
One afternoon, towards the close of the London season, the doctor had just taken his luncheon after a
specially hard morning's work in his consulting-room, and with a formidable list of visits to patients at their
own houses to fill up the rest of his day--when the servant announced that a lady wished to speak to him.
"Who is she?" the Doctor asked. "A stranger?" "Yes, sir."
"I see no strangers out of consulting-hours. Tell her what the hours are, and send her away." "I have told
her, sir."
"Well?"
"And she won't go."
"Won't go?" The doctor smiled as he repeated the words. He was a humorist in his way; and there was an
absurd side to the situation which rather amused him. "Has this obstinate lady given you her name?" he
inquired.
"No, sir. She refused to give any name--she said she wouldn't keep you five minutes, and the matter was
too important to wait till to-morrow. There she is in the consulting-room; and how to get her out again is
more than I know."
Doctor Wybrow considered for a moment. His knowledge of women (professionally speaking) rested on
the ripe experience of more than thirty years; he had met with them in all their varieties--especially the
variety which knows nothing of the value of time, and never hesitates at sheltering itself behind the
privileges of its sex. A glance at his watch informed him that he must soon begin his rounds among the
patients who were waiting for him at their own houses. He decided forthwith on taking the only wise
course that was open under the circumstances. In other words, he decided on taking to flight.
"Is the carriage at the door?" he asked. "Yes, sir."
"Very well. Open the house-door for me without making any noise, and leave the lady in undisturbed
possession of the consulting-room. When she gets tired of waiting, you know what to tell her. If she asks
when I am expected to return, say that I dine at my club, and spend the evening at the theatre. Now then,
softly, Thomas! If your shoes creak, I am a lost man."
What may be inferred in the opening paragraph?

A) The physician with the best reputation earned the most money.
B) The physician that made the most money was the best physician.
C) Somehow a reputation makes you a good physician.
D) Physicians didn't get much money in those days.
E) The physician earning the most money would have the best reputation.

5. Here my friend, about whose madness I now saw, or fancied that I saw, certain indications of method,
removed the peg which marked the spot where the beetle fell, to a spot about three inches to the
westward of its former position. Taking, now, the tape measure from the nearest point of the trunk to the
peg, as before, and continuing the extension in a straight line to the distance of fifty feet, a spot was
indicated, removed, by several yards, from the point at which we had been digging.
Around the new position a circle, somewhat larger than in the former instance, was now described, and
we again set to work with the spades. I was dreadfully weary, but, scarcely understanding what had
occasioned the change in my thoughts, I felt no longer any great aversion from the labor imposed. I had
become most unaccountably interested--nay, even excited. Perhaps there was something, amid all the
extravagant demeanor of Legrand-some air of forethought, or of deliberation, which impressed me. I dug
eagerly, and now and then caught myself actually looking, with something that very much resembled
expectation, for the fancied treasure, the vision of which had demented my unfortunate companion. At a
period when such vagaries of thought most fully possessed me, and when we had been at work perhaps
an hour and a half, we were again interrupted by the violent howlings of the dog. His uneasiness, in the
first instance, had been, evidently, but the result of playfulness or caprice, but he now assumed a bitter
and serious tone. Upon Jupiter's again attempting to muzzle him, he made furious resistance, and,
leaping into the hole, tore up the mould frantically with his claws. In a few seconds he had uncovered a
mass of human bones, forming two complete skeletons, intermingled with several buttons of metal, and
what appeared to be the dust of decayed woolen. One or two strokes of a spade upturned the blade of a
large Spanish knife, and, as we dug farther, three or four loose pieces of gold and silver coin came to
light.
At sight of these the joy of Jupiter could scarcely be restrained, but the countenance of his master wore an
air of extreme disappointment he urged us, however, to continue our exertions, and the words were hardly
uttered when I stumbled and fell forward, having caught the toe of my boot in a large ring of iron that lay
half buried in the loose earth.
We now worked in earnest, and never did I pass ten minutes of more intense excitement. During his
interval we had fairly unearthed an oblong chest of wood, which, from its perfect preservation and
wonderful hardness, had plainly been subjected to some mineralizing process--perhaps that of the
Bi-chloride of Mercury. This box was three feet and a half long, three feet broad, and two and a half feet
deep. It was firmly secured by bands of wrought iron, riveted, and forming a kind of open trelliswork over
the whole. On each side of the chest, near the top, were three rings of iron--six in all--by means of which a
firm hold could be obtained by six persons. Our utmost united endeavors served only to disturb the coffer
very slightly in its bed. We at once saw the impossibility of removing so great a weight. Luckily, the sole
fastenings of the lid consisted of two sliding bolts. These we drew back trembling and panting with anxiety.
In an instant, a treasure of incalculable value lay gleaming before us. As the rays of the lanterns fell within
the pit, there flashed upwards a glow and a glare, from a confused heap of gold and of jewels, that
absolutely dazzled our eyes.
I shall not pretend to describe the feelings with which I gazed. Amazement was, of course, predominant.
Legrand appeared exhausted with excitement, and spoke very few words. Jupiter's countenance wore, for
some minutes, as deadly a pallor as it is possible, in nature of things, for any negro's visage to assume.
He seemed stupefied thunder stricken. Presently he fell upon his knees in the pit, and, burying his naked
arms up to the elbows in gold, let them there remain, as if enjoying the luxury of a bath.
It became necessary, at last, that I should arouse both master and valet to the expediency of removing the
treasure. It was growing late, and it behooved us to make exertion, that we might get every thing housed
before daylight. It was difficult to say what should be done, and much time was spent in deliberation--so
confused were the ideas of all. We, finally, lightened the box by removing two thirds of its contents, when
we were enabled, with some trouble, to raise it from the hole. The articles taken out were deposited
among the brambles, and the dog left to guard them, with strict orders from Jupiter neither, upon any
pretence, to stir from the spot, nor to open his mouth until our return.
In context, the word "mould" 2nd paragraph is best described as

A) wooden container.
B) broken soil.
C) carved woodwork. D. box.
D) cast.

Solutions: